| What common thread can keep
a professor of psychiatry in Ohio, a professor of
business administration in Pennsylvania , a museum
director in New Jersey, and a systems programmer in
North Carolina together for almost 40 years? It's
jug band music, pure and simple.
The Philadelphia Jug Band traces its roots to the
early 1960's when its four core members (Dave Gauck,
Jim Klingler, Steve Miller, and Frank Zemlan) were
students at Council Rock High School in Newtown, Bucks
County, Pennsylvania, not far from Philadelphia. The
“folk music revival” was rapidly spreading
across America, and Philadelphia was one of America’s
great folk meccas.
In 1962, Dave, Jim, Steve, Frank, and other classmates
formed a group known as the Ridgerunners and began
playing mainstream, popular folk music. They performed
well-known folk tunes such as Tom Dooley, If I Had
A Hammer, House of the Rising Sun, and Charlie on
the MTA. Their music soon evolved into more ethnic,
authentic, and personal forms. The early band included
up to thirteen members and provided entertainment
for themselves and others. First, they performed informally
at parties throughout the area and then by request
at local civic events, grange halls, and church basements.
Eventually the band performed, with some regularity,
at The Cellar, a coffee house under a delicatessen
in Levittown. They also played on the streets and
in various eateries along the Delaware River, and
in bohemian tourist communities such as New Hope,
Pennsylvania.
In 1963, Dave and Steve went to the second annual
Philadelphia Folk Festival. It was organized by the
Philadelphia Folk Song Society and held in Paoli,
a suburb of Philadelphia. The Jim Kweskin Jug Band
was featured in the Saturday night concert. As soon
as Dave and Steve heard the Kweskin band, they knew
immediately that this was music the Ridgerunners should
play. The next week they got a washboard, jug, washtub,
and Kweskin’s first album. When their band got
together again, the new sound was introduced. From
then on, whenever there was a folk music event in
Bucks County, jug band music was heard. Yet, they
were not the only jug band ragtimers in town. The
Yardley Mountain Frog Stompers, made up of older guys
(in their twenties!) including a math teacher from
Council Rock, preceded them. This band provided local
inspiration for the Ridgerunners, as well as some
'R' rated lyrics.
The Ridgerunners played just about every tune Kweskin
recorded. The band quickly found more music on contemporary
records as well as those featuring the original jug
bands from the 1920's. New jug bands temporarily appeared
on the scene. These included Dave Van Ronk and His
Ragtime Jug Stompers, the True Endeavor Jug Band,
and the Even Dozen Jug Band. The records made by these
groups were a source of new songs as well as original
interpretations of old numbers.
By 1964, the Ridgerunners included Dave Gauck on
jug, washtub bass, and occasional vocals; Frank Zemlan
and Jim Klingler on guitar and vocals; Steve Miller
on washboard, kazoo, and vocals; and Sandy Shaw on
vocals. In 1965, the band was briefly called the Keystone
County Ragtime Euphoria Jug Band. By the late 1960's,
it was known as the Philadelphia Jug Band. Sandy eventually
left the band for more esoteric pursuits.
When Dave, Jim, Steve, and Frank graduated from high
school and went to college, many thought the Philadelphia
Jug Band would cease to exist. But the members could
not let the music go. Even though they attended different
colleges, the guys visited each other regularly and
played for themselves, at coffee houses, school events,
and wherever there was an open mike or a quiet street.
During the summers when they were back home in Newtown,
they carried on as before. They never missed the annual
Philadelphia Folk Festival. They played in the campground
until the wee hours of the night, formally at various
workshops, and elsewhere with anyone who wanted to
join in.
The band members pursued graduate studies, had families,
relocated, and settled into careers, but the music
continued. Dave found his way to North Carolina after
living in upstate New York. Jim returned to the Philadelphia
area after a tour in the Navy. After a long stay in
New York City, Steve moved to Maine, Ohio, Vermont,
and finally New Jersey. Frank eventually settled in
Cincinnati.
Despite all the changes and moves, the band fell
into a pattern. Everyone was able to get together
three times a year -- Memorial Day weekend, New Year’s
Eve, and, of course, at the Philadelphia Folk Festival.
Through the 1970's , special gigs also brought them
together. These included opening for Arlo Guthrie
(and moving his grand piano) at a performance in Philadelphia;
performing at Old City Sunday near Independence Mall
in Philadelphia; kicking off the July 4th Bicentennial
festivities at New York City’s Battery Park;
and recording at a local radio station. The Jug Band
had its 15 minutes of fame, 3 seconds at a time, when
a Philadelphia TV station included a clip of the band
in its opening news video collage for several years.
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